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Sorel Etrog is best known for his abstracted figurative sculpture. The statue he created for the Canadian Film Award in 1968 is recognizable to many Canadians as the Genie, and his massive Sun Life on the northeast corner of King Street and University Avenue is a landmark for many Torontonians. However, his lesser-known collaborations with Samuel Beckett, Eugène Ionesco and Marshall McLuhan convey the profoundly human – and humane – aspects of an artist whose thoughts encompass sculptural and metaphorical considerations of connection, passage, relationship and continuity.
Hardcover, 127 pages